Last week I was invited to attend a special behind the scenes event inside the SF Opera’s Costume Shop. Who wouldn’t want to see the inner workings of a costume paradise? It was definitely an invitation I could not refuse. So, so exciting!!
Read moreSewing 18th Century Italian Gowns with my 13 Year old Student Dalia
When My corset obsessed 13 year old student, Dalia, wanted to move onto a new bigger project, she chose the Italian Gown featured in the American Duchess Guide to 18th Century Dressmaking. What a pretty gown it is! In order to give proper instruction and guidance in the process, I decided to make one myself.
Read moreGetting Ready for my 50th Birthday - Recycled Regency Style
I’m turning 50 so I’m going to party like it’s 1799-1820. Yes! you heard it here. A party like no other, socially distanced, at the park in regency attire. We’ll all be wearing masks and it will be highly civilized. A girl’s got to celebrate half a century, after all.
As a kid, I always wanted to be both older and live in another time. Now I have my wish on both accounts. There is nothing like embracing the age you are in. At 49+ I’m embracing the fact that I LOVE to dress up in costume and that I love making costumes.
Read moreRomantics Era 1830's Picnic - Greater Bay Area Costumers Guild - At Ardenwood Farm
Picnic day with The Greater Bay Area Costumer’s Guild at Ardenwood Farm arrived! Everyone looked magnificent in their 1830’s finery!
Read moreCreating an 1830's Bonnet - Hat making is hard (but fun)- Who knew?
With my 1830’s gown complete, it was time to move on to the Bonnet. Well, that’s not entirely true. I started work on the bonnet while I was still working on the dress. A bonnet promised to be such a fun project I couldn’t wait to get started.
Read moreVenturing into Historic Dress - Sewing a Regency Corset for an 1830's Costume
I've had a bee in my bonnet for dressing up "old-fashioned" style for about as long as I can remember. Now as a grown woman, when my friend says that the Greater Bay Area Costumer's Guild is hosting an 1830's picnic at Ardenwood Farm in June, I can't help but jump at the opportunity. At this point, I've finished some of the undergarments (Shift and Drawers) and started on my Regency Long Stays. In doing some research, I found that during the 1830's, ladies were still wearing their long "stays" or transitioned to slightly curvier long stays and haven't quite evolved into the corsetry of the later 1800's. The pattern for these "stays" came from Redthreaded and the fit is spot on, with very little alteration.
Read moreSewing My Gatsby Prototype - Using a Vintage Dress as my muslin....
After all your wonderful suggestions, I did end up choosing Ladies 1931 Dress from Vintage Pattern Lending Library for my Gatsby Dress. I just can't seem to get enough of those VPLL patterns! More on THAT later. Here is the story of how I came to use a Vintage 1940's dress for my "muslin" prototype....
Read moreHelp Me Decide which 1930's dress to make for Gatsby 2017
The Art Deco Society of California's Gatsby Summer Afternoon, is right around the corner. Slated for Sunday, September 10th, this annual event will take place on the majestic grounds of the Dunsmuir Hellman Estate in the Oakland Hills. Hundreds of people enter the grounds dressed to the nines in gorgeous picnic attire....
Read moreHere at Last - The Art Deco Preservation Ball
Well, the day of the ball arrived and I was prepared! This year's theme was Death on The Nile (the Agatha Christie Murder Mystery) with a focus on Egyptian Revival of the Art Deco era.
Read moreBuilding a Miss Fisher Wardrobe
Have you seen Miss Fisher's Murder Mysteries? It's an Australian TV show based on the Kerry Greenwood Novels. The series highlights the Honorable Miss Fryne Fisher, who is a lady detective in the 1920's, and is played by the brilliant actress, Essie Davis. TheFryne character is the epitome of the strong, sassy, smart woman that I would love to be. AND she has a fantastic wardrobe.....
Read moreDesigning Vintage Gowns
An Interview with Vintage Clothing and Pattern Designer,Theresa LaQuey
In preparation for draping my Art Deco Preservation Ball Gown, I reached out for a little advice and encouragement from Couture Vintage Clothing Designer, Theresa LaQuey. She has a wealth of knowledge, after spending many years creating beautiful bespoke creations for ladies with an eye for vintage style. Our Conversation is below.
Additionally, we will be doing another giveaway this week. Theresa has generously given us an autographed copy of one of the Simplicity patterns that she designed. I'll do a random drawing of our email subscribers to see who wins!
Jennifer: Theresa, I'll likely drape a late 20's look in silk charmeuse and chiffon and will probably take a trip to Britex Fabrics for some pretty beaded appliques. A friend gave me a purple and yellow ombre length of silk, that I intend to use for the main part of dress. I think the purple yellow combo will be my ode to Egypt but maybe I'll do a fun head dress as well. I'm still in the planning stages. Do you have any advice as to how I should begin?
Firstly, I so admire your thoughts on draping your gown. If I may make a recommendation, try to find the pattern making and draping book that was printed by the Women's Institute of Domestic Arts and Sciences, Scranton PA, published in 1928?? I think. When I was learning my trade, a dear fellow student gave me a xeroxed copy of that book. It made all sorts of dress making from the 1920s very plain and simple. Just geometry and physics.
I do not give a good review on getting purchased appliqués. I have had very bad experiences with them. They are too stiff and don't look correct. It sounds cruel, but get a dead dress and cut it up. You will do better with it. (note from Jennifer - I think this is a great idea!)
I would like to teach you to bead. I know the Tambour method. It takes about one hundred hours to learn it, and another couple of thousand hours to perfect it. But oh boy it is worth it.
However, purchased appliqués can work. Just make sure they are soft, not stiff. Also, give a call to the Fashion Company in SF. They have carried appliqués and are very great. Be prepared to meet the minimum of $70.
Jennifer: How & When & Where did you first begin studying bespoke sewing and couture design?
Well, my mother was the costume designer at Diablo Valley College (DVC) and my whole family has been stitchers for at least 100 years. My mother was paid so poorly and because of that, I started hanging out in the costume department with my mom at age 5.
(Later in life) I was in the punk scene and got married to the lead singer of the Dead Kennedys. He was a collector of vintage records. That’s when, I started collecting vintage patterns. After we broke up, I started the apparel design program at DVC. It was a fantastic program. If you want to get into design, don’t spend $30,000/year. Go to a community college. It’s an amazing experience.
Then, in 1987, I ended up partnering with Mark Jones, making couture gowns and learning how to bead..
Our very first commission was a wedding gown was a replica from a movie Topper with Constance Bennett and Cary Grant. I had to have foot surgery and I spent my time, in bed with my feet up, beading that gown.
Jennifer: At the Art Deco Preservation Ball 2 Years ago, I was completely impressed with all the glamorous ladies walking around that evening, at the Oakland Scottish Rite. Each woman looked spot-on, and I thought for sure they were all wearing mint condition vintage. Then later that night you were honored with a special display of all the ladies wearing your gowns (I think there must have been over 30 ladies standing up near the stage) and nearly all of the gowns on display were the exquisite designs I had been admiring earlier . It was wonderful seeing the variety of designs you produced from the Art Deco Era and the 1930’s styling in particular. Is this your favorite era? Or just the one most on display?
It’s my favorite era ever. I consider myself more of a mathematician than a designer. It sounds crazy but you are dealing with the geometry of stretch, when it comes to Bias. When you get into the 30’s they are really applying that “wonderful” of the 1920’s to the feminine form. One tip - Avoid Side seams. The 1930’s is my favorite (era) because it’s so unexpected. If you go in there like an explorer, you’ll learn a lot about making clothes.
Jennifer: Are your couture gowns original designs, inspired by the era, do you use vintage patterns or a combination?
A combination of both. We have a joke around the house that I’ve copied so many Adriens that we call them LaQuey-driens. I’ve done plenty of original designs as well. Mainly I do bespoke (gowns) only for friends, these days.
Jennifer: For this year’s preservation ball, I will be draping a gown in the late 1920’s style. When I made my gown two years ago, I made a corset to go under. The pattern was reproduced from a 1920’s pattern and had the perfect silhouette for the straight lines of my gown. I’m planning to do the same this year but for a dress that will have a little more shape appropriate to the later 1920’s. Did you ever make foundation garments for your gowns? Did you build foundations in the garment?
I have built foundation garments into gowns but they are more 1950’s gowns. The thing about 30’s gowns especially, is that they should look like they were blown on to the body and just land there.
Jennifer: Do you have a favorite material to work with for vintage gowns?
Yes, I do - My super-duper favorite - a 1930’s red & white ensemble. A Japanese fabric called Chirimin crepe. It’s a rayon pebble crepe and only 36” wide. You can find it at www.fabrictales.com
These ladies are incredible. The weight of the fabric is incredible.
Then I have a supplier out of the east coast and Los Angeles - Eastern Silk Co. (trade only) they carry 4ply crepe and crepe back satin in 144 colors.
C&J Textiles in NY - the fabric they carry for called Silk Vanity - The colors are gorgeous. I’m working on another gown this month in this fabric.
Jennifer: Along the same lines, do you have a favorite gown that you’ve made? Who did you make it for? Would you describe it for us or do you have a photo?
I do - Do you know of Mr. Pear? I worked with Mr. Pearl last year and we did a dress together for a burlesque artist.
From my own projects I would have to say the Chanel Fireworks dress. It was so hard. All beaded. Black Chiffon with poly-chromatic sequins. Every time you have to knot off each sequin individually. It’s a beautiful evening gown. The woman who wore it is incredibly elegant.
Jennifer: You always look so fantastic when I see you at Art Deco events. Do you dress in Vintage everyday?
I do not wear modern clothing. Most of the time I spend in trousers and a turtleneck. I used to wear beautiful clothing but it always gets ruined. I do not wear makeup either.
I have a pattern for some vintage trousers and have made up about 6 pairs of them. The woman on the cover of the pattern, is standing there, roasting a weenie.
I wear turtle necks in the winter and the rest of the time I wear “The Blouse” which is made from a 1930’s pattern.
Jennifer: After seeing your beautiful couture work for years, I found out that you make sewing patterns as well. What kind of patterns do you specialize in? And where can we buy them?
Simplicity patterns. My sister is Andrea Schewe and she got me the job. She was designing for Simplicity. It’s so crazy. I have 3 sisters. Andrea is 10 years older than me and our older sister convinced her to go to NY.
I went to celebrate my sister's wedding anniversary and Andrea told me to bring my portfolio. I sat down, with Simplicity Patterns, and they looked through my portfolio and they asked me “ What could you do for us?” I did a swing skirt. I made it up. It ended up selling 25,000 copies.
Then, I got assigned Steampunk. I had just done a Steampunk wedding and was so grateful. I became top designer at Simplicity afterward. That means your pattern is outselling everything else. My sister has been top designer as well.
Jennifer: Thank you so much for giving this interview and for generous giveaway of an autographed pattern! Finding out more about you and hearing all your sage advice has been priceless!
YOU can find out more about Theresa and see more photos of her exquisite creations by visiting her Facebook Page.
The Making of a Hat - How I achieved my 1920's Miss Fisher Look
Having acquired all the materials - wool hat (a la Old Navy), millinery wire, ribbon aplenty and a beautiful feather rose, I was ready to make my hat for the Girl's Inc. Hat's off to Women Who Dare event. Yay! I love decorating hats and making them very special.....
Read moreDraping in Fashion Fabric - Progress on My Preservation Ball Gown
This blog post is about how I drape my gowns in the fashion fabric. This is only just the beginning. It will take me working on the dress in my spare time over the course of the next few weeks to get a final dress.
Read moreClarifying my Vision - What the heck am I going to sew?
The Vision Board class with Heidi last weekend was highly informative for me. I made two vision boards - 1 overall VISION for my life and 1 VISION BOARD for my business. Plus, I ended up making two "Mood Boards" for things I want....
Read moreInstructor Maria Chenut Designs Costumes for DON QUIXOTE made into a play by Peter Anderson and Colin Heath
THE SEWING ROOM Instructor Maria Chenut designs powerful costumes for Marin Shakespeare Company's DON QUIXOTE
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