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photo - https://www.mementomoda.com/
I stumped when told about our Picnic Inspiration for October - Gothic Cemetery - and our picnic was to be located in a cemetery. The Mountain View Cemetery in Piedmont, to be specific. My daughter Emma had lots of suggestions, but when she told me I should dress like I was going to a funeral, it just clicked.
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My Home and all the UFO’s are making me feel like I’m living in the X-Files of Project-land. Over the last year, it’s been a bit hard to keep my focus and I seem to get distracted with new ideas and projects at every turn. I’ve not finished much of anything lately, so I thought I would give you all a taste of the UnFinished Objects (aka projects) that are currently in the queue at HOME. These do not include the projects at my SHOP, some of which are mine and also some left behind by students. I’ll leave those for another post. Oh, and there are also those imagined (but un-started) projects lingering in the tubs of fabric - Ha! another post perhaps. In the meantime, this is what I have currently underway.
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This is the second installment of Creating a Mini (Early) 1930’s Capsule Wardrobe. What is a “Capsule” wardrobe? It’s a group of pieces that easily coordinate with each other. This dress along with the dress from my previous post use coordinating fabrics as well as accessories. Next in the series should be some interchangeable separates. I have a few other items in the queue so those pieces will have to wait a while.
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It’s been a long hot Summer around here. Well, not that hot really, but the temperature here is starting to rise and it’s time for a new cotton sun dress. August and September are the hottest months around here. I won this blue cotton swiss dot in a raffle at the Greater Bay Area Costumer’s Guild Open House, earlier this year. It’s the perfect weight for a Summer Dress.
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Do you ever have fabric that feels like it’s money burning a hole in your pocket? Well, I sure did when my friend Laurie Ann gave me this gorgeous polka dot viscose shantung. Oh, my, it was love at first site. And it was gifted along with a coordinating brown trouser weight fabric as well. I couldn’t pass up the opportunity to sew up a new outfit, perfect for our cool autumn weather.
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With the Art Deco Society of California’s Gatsby Summer Afternoon right around the corner, I’ve been planning the outfit I’ll wear this time around. I’ve also been taking a little tour of Gatsby Afternoons I’ve attended in the past. They were filled with friends, fashion and a maybe bit of Champagne. I’ll warn you in advance, some of the photos are a little fuzzy. One can still see how much fun we had, however, so I hope you can enjoy.
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It’s been busy over here at The Sewing Room and finishing this ensemble took some time. I think the blouse was one of my longest running projects in quite sometime. Partially, because of other projects that got in the way and also because I did a LOT of hand finishing.
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It’s Fall here (finally) in Northern California and the trees are starting to turn. And by Fall I mean it’s gotten hot in the days (upper 70’s F) and cools off at night. Not quite jacket weather, in the daylight, but it feels good to dip into the fall colors.
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Every year the Art Deco Society of California puts on the The Gatsby Summer Afternoon. This Gatsby Event is the highlight of my year, as far as vintage events go, and this year was no exception. The weather was perfect (high 70 degrees and breezy), the picnics were exquisite and the company eclectic and entertaining.
For this year’s ensemble, I chose to replicate a look that my grandmother wore (see photo above) in one of her modeling photos. I’ve admired this dress for years and have not quite had the nerve to re-create it until now. That front neck detail with the capelet and ruching really had me flummoxed.
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I’m getting ready to put together a Fall outfit and am very excited about working with some of the fabrics I’ve put aside - lots of luscious wools and silks in gold tones. And I bought a terrific 1930’s hat at the Alameda Point Vintage Fashion Faire, last weekend. So when Wardrobe Shop and Nataya approached me to do a sponsored blog post with this article, I couldn’t refuse.
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Have you ever come across the perfect fabric that goes with another fabric you've been waiting to do something with? Well, this darling plaid came into my life and I just had a to make a new outfit around it. It's a synthetic Charmeuse, which is not a regular go-to for me. I much prefer silk. However, when I saw this plaid which was printed on the diagonal, it really screamed 1930's blouse, right at me! AND it matched perfectly with a beautiful green wool that's been waiting to be made into something for quite some time.
This outfit doesn't exactly fit into my "Miss Fisher Wardrobe" goals, but it does kind of echo some of silhouettes of the (Miss Fisher) era worn between 1928 - 1932, and definitely covers the "Colorful" way she dresses on a regular basis. The emerald green of the wool is one of my favorite colors and I couldn't pass up the opportunity to make this skirt, for which I had a pattern waiting in the wings. I've used this pattern twice before, once recently using a wool tweed and made slightly shorter. You can see the post for that skirt by clicking here.
Having more fabric than I needed for the skirt, my mind wandered into the world of accessories. I've been wanting to try out a couple different patterns - one for a 1930's hat and one for a clutch from a book that I had on my shelf. I found a small piece of velvet in a coordinating color (to the green) that I was able to use for both the hat and the clutch to give them each a little depth and contrast. The top piece of the hat, which makes the point is actually a circle that is gathered in 3 spots fitting into the circle of the next piece. The hat is comprised of 4 hat pieces (3 for the top and one for the side) and a hat band that finishes off the bottom edge. The pattern did not call for lining, but I added some because it gives some structure to the finished piece. I really like the very 1930's, whimsical nature of this silly little almost "beret".
For the clutch, I had originally planned to add a trim between the velvet and the wool, but got so excited to finish the bag, that I forgot. In the end, It's fine without the trim. I added a stone and filigree broach to give it some pizazz.
The Blouse was made from a Simplicity re-issue of a 1930's dress pattern, and shortened to blouse length at the hip. I used the version with a v-neck & 3/4 length puff (at the cuff) sleeves, that seemed to suit the fabric being used. It is a raglan sleeve made from what appears to be a kimono style shape, with a dart at the shoulder. If I do use this pattern again, I will re-shape the raglan armholes and side seams so it fits a bit better under the arm and around the bust. It does not hang perfectly in this area, which is my only disappointment with the whole project in general. No reason to complain overall.
Also, I added a little tab at the front neck so that I could loop a bow through it or hang a flower from it which is a very '30's detail. In the photo above you can see the flower I made by creating a long double sided triangle and gathering the bottom straight edge. Rolling the gathered edge and sewing it at the bottom, creates the rose-like shape. The fabric color pattern, serendipitously, arranged a black point at the center of the flower. The flower was finished off with a tab of it's own that snaps in place around the tab on the dress.
Here is the lineup of all the patterns used along with my accessories:
Until Next Time, Happy Sewing!
Jennifer
Voted Best Sewing Circle 2018 in Alameda Magazine